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HERE ARE MORE DETAILS ABOUT MY PLAYS AND SOME PICTURES


GABRIEL’S NATIVITY

Gabby and Rose are teenage brother and sister living in the present day. It is Christmas Eve and Gabby has received a ‘mysterious’ reality computer game disk which he unloads into his computer, starts to play and immediately passes out. Rose does the same when she ‘plays’ the game. When they wake up they are in a foreign country surrounded by Arabic looking people.

      ROSE: (Seeing GABBY) Gabby. Are you alright? You passed out. I think I must have done, too. I have such a headache.

GABBY: I’m O.K. The last thing I remember was putting that disk into the computer. Then I put the headphones on and then there was a terrible pain inside my head. (He notices the people.) What the...? Where am I? Who are these people? And why are they dressed like that? Am I dreaming?

ROSE: Oh my goodness. I put on those headphones too and I passed out with pain in my head, too. But just before I did the computer screen came alight with the words “Jerusalem, about 2,000 years ago.” (Slowly.) I have a feeling that this is where we are.

GABBY: Don’t be ridiculous. Nonsense. This isn’t happening. I’m going to wake up in a minute. (He shuts his eyes and then opens them again. He looks around at the people. JOSEPH cautiously approaches him.)

JOSEPH: Excuse me. You look like strangers to this place. Please will you tell me where you are from?

GABBY: Look man. I don’t know what game this is but it’s not cool.

ROSE: We’re from England. The United Kingdom. Part of Europe. (JOSEPH looks blank.) You’ve never heard of England or any of those places have you? (JOSEPH shakes his head.) London? (Still puzzlement from JOSEPH.) New York? (Inspiration.) That’s in the USA? United States of America? You’ve never heard of them either? (JOSEPH shakes his head.) Well no, of course not. If I am right in what I am thinking, America hasn’t been discovered yet and these people would never have heard of England.

GABBY: What are you talking about?

ROSE: The words on the computer. “Jerusalem, about 2,000 years ago.” This is where we are. We have somehow been transported back in time and to a different place.

GABBY: You’ve really lost it. I began to think you were a weirdo and abnormal... now you’ve confirmed it. Time travel. I suppose the computer sucked us in and blew us out here. If so, where is the computer? (To JOSEPH.) Say, man, have you seen a computer lying around here? It looks like a television with a keyboard. (JOSEPH has an urgent conversation with INNKEEPER and MARY.)

ROSE: You are the one playing computer games. You explain it. Perhaps this is this one of your reality programmes?

GABBY: Yea. You could be right, Rose. Yes. The disk was a reality programme. None of this is real. It just seems so. The question is how do we get out of this programme? (He gets excited.) This is cool. The best ever. It’s so real. But I don’t understand how you’re part of it. Pity you had to come along for the ride. I suspect you’re a virus.

A new retelling of the traditional Nativity Story that can be adapted to accommodate small and large casts with or without carols.

 


 

MAGNA CARTA


THE JUDITH CODE

 


CRY IN THE NIGHT

 

CRY IN THE NIGHT is a thriller with a "twist" in its tail. It was first performed by the Cayman Drama Society (under the original title "Girl in a Wheelchair") at the Harquail Theatre in 1999. It was so successful a further week was added to its run. The "Caymanian Compass" called it a "first rate thriller with a really surprising end".

MARY SLESSOR: GREAT WHITE MA

 

The life of the Scottish Missionary,  Mary Slessor, is C.G. Wilson’s latest play to be published by NTP and will have its premier in the Cayman Islands December 2009.

 The 39 years Mary spent with the people of different regions of Calabar, Nigeria, were filled with excitement, disappointment, horror, and joy. Even though she was only 5 feet tall, she stood up to many warriors, chiefs, witch doctors, and murderers. Her adventures varied from healing hundreds of people, rescuing prisoners and/or slaves and wives from being murdered, saving and caring for countless children and babies, witnessing the most frightening scenes, settling many disputes among tribes and neighbours, assisting chiefs in decisions for their tribe, and sometimes just looking a tribal person in the face and telling them about love.  Mary Slessor died, at age 67, January 13th, 1915,  of a jungle disease. This moving drama can be performed by a small cast of ten persons with minimum scenery and props or a full scale lavish production comprising ‘multitude’ casting.  Suggested music is stated in the script.

 


WALTER'S WAR

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